Weave in Story Details

Work on observing your surroundings using all five senses. What does the wind smell like? What does rain taste like? What does a wooded area sound like? Describe the bark of different trees. How is today’s rain storm different than yesterday’s? How is a hot day different than a hot night? Start now to really notice the world around you—listen, feel, taste, experience it.

Next, translate these sensations to your character. What does he or she smell or hear when he or she enters the dark woods behind the row of houses? Instinct tells the character not to take the path through the woods as a short cut, but he or she has no choice. So, allow the reader to experience this place through the sensations the character encounters. 

New writers often tell the reader what happens in the story rather than showing the story unfold. The rule of thumb is "show, don't tell" (SDT). Showing involves the reader. It makes him or her feel and see the details of the story. Telling, or summarizing, slows the story down. You then risk losing the reader to the action of television or computer games. Sensory detail helps you as the author ensure a connection is created and maintained between the character and the reader. In many stories, depending on point of view, the reader will momentarily become the main character. So, describing what the character smells, hears, touches, sees, thinks, etc. strengthens the reader’s connection to a story. Dialogue is another great way to sneak in story details because it draws the reader into the story—and it ensures that something is happening in the scene. 

So, practice noticing details around you and translate that to your characters. Remember to show the reader by weaving in these details in through the reaction of the viewpoint character and through dialogue. 

Happy writing!

How Writing is like Cooking

NOTE:  I'm trying to fix glitches with links between my different accounts. This blog, originally posted at Wonderings and Wanderings was supposed to also post here. I've posted a condensed version that focuses on the writing connection. 

I usually spend a good portion of my weekend in the kitchen making meals for the coming week. This weekend, however, none of my recipes turned out. I tried to blend two muffin recipes to create a "harvest fruit" muffin. Dud! I think I needed more baking powder or perhaps some baking soda. And, I plain forgot to include an ingredient in one dish until it was in the oven. Too bad I couldn't pull it out and add it (which is a wonderful revision technique for writing but doesn't bode well with step-by-step instructions).

But, in the end, I wasn't upset. First, not all the kitchen mishaps were inedible. Second, the time spent perfectly links with writing. Like these failed  recipes, sometimes we need to write scenes in stories, only to discard them later. It's not that they are awful; it's that they don't work with the other "ingredients" in the story for the most tasty outcome.

I think this is one of the hardest things for newer writers to understand about revising. Sometimes we need to write a specific scene with a character but its purpose is to help us further develop that character. It doesn't necessarily need to remain in the finished story. And sometimes, we need to add a scene (or ingredient) to boost suspense or keep the reader hooked. In the end, the reader doesn't need to know all that you had to accomplish in the kitchen---or even how many attempts it took to get the "recipe" right. The reader only cares about how tasty the end result is.

So, test your ingredients and don't be afraid to toss the "duds." Happy writing!

Life only Seems to Get in the Way

I know. I know. It's been too long since I've posted here. My only excuse is that this blog is dedicated to "all things writing." And, I've been blogging about life in general at my other blog: Wonderings and Wanderings. 

Even at that blog, I haven't posted all that often because this has been one insane year! But, the holidays are approaching and as busy as I am personally, I am even more determined to make time for my writing projects. The lesson here is that even when it seems life is getting in the way, it does not have to. 

Despite this busy year (and by busy I simply mean that my plate is full to brimming with the main course--my writing and teaching--as well as side dishes with family issues and other stuff demanding time), my business is growing. I have been asked to teach new classes. The first is a self-publishing class through an evening community education program. Now, other locations are requesting something similar. I've also taken on extra workshops during this part of the year (when I usually wait to offer these January through April). But, members were requesting my workshops. 

Also,  few good things have been happening with my writing and I've decided to launch a companion site to help people overcome writing challenges. One thing I emphasize with my students--of all ages is that writing does not need to be painful! So, that's the focus of this new site, called Lisa Wroble, Word Coach. It will launch soon through Weebly but until it does, you can find out more at www.word-coach.info

So, though I haven't been here much, I have not given up or fallen in the wake of the publishing industry confusion and economic adversity. I will be posting again soon, so watch this space. 

Winds of Change Blowing

Southern Florida is getting ready for TS Issac. Since I've just emerged from an intense summer that has left me working hard to carve out writing time, the last thing I wanted to deal with was battening down and preparing for severe winds and rain at the least and a full-blown gale at worst.

I haven't posted much since spring because I promised myself I'd devote this blog to writing. But, I did learn some things out of this experience that I do feel are writing-related. It helped me put a positive spin on my personal life, so I can continue generating energy toward my writing. (I'm making baby steps, but at least I'm making regular progress!)

First, as I battled all the items in my storage closet, trying to make room for some of the lanai furniture, I realized the struggles I've been plowing through are much like the trials and conflict characters face in a good story. Who wants to read about a character who gets everything she wants? I do believe that the struggles make reaching a goal more satisfying. 

Second, since I couldn't fit everything from the lanai in storage, I had to move the larger furniture and plants inside. That meant indoor furniture to make room for the outdoor furniture. Now I had to clean, too, and wipe down all the outdoor furniture before bringing it in. So, in the end, things are cleaner just because I gave attention to areas I've been too busy to attend to. (And, the empty lanai was swept and cleaned and will need the same again once the storm blows through.) Also, since I was cleaning and rearranging, I continued that energy into my office to see what I can move around for more space and efficiency. 

Finally, during the numerous trips to the store to buy supplies, fight with the crowds of panicking people, and acknowledge the sense of urgency everyone seemed to be feeling, I decided to tack on a few "errands" that would give me a feeling of doing something for my writing. I mailed copies of my book, Food for a Greener Planet: What You Can Do, to a reading association award program, submitted the opening of one of my novels to  a literary contest, and ordered promo materials for my latest book, Dealing with Stress. 

I'm determined that all these "life issues" will not get in the way of my goals. The baby steps are paying off. The winds of change are blowing, and not just from this tropical storm/possible hurricane. I feel this storm is (and will continue) helping me "clean out" and make changes. 

To all affected by Issac, may you stay safe and weather the storm! 

Too Busy Writing: Seeking Balance

Sorry, I haven't posted sooner. I know it's been a while. Too long in fact. But, I been so busy writing. Well, teaching and freelancing anyway. Those who know me know that I balance my time between teaching and writing, and between work with younger readers and adult learners. The adult learners are participants in writing workshops I offer locally (though I am taking a few of these workshops online soon).

Though summers are usually my time to write more and teach less since the seasonal folks have headed north to cooler summer temps, this year is unusual. Not only was I asked to teach at the local college for both summer semesters, but two of the venues I offer workshops for asked me to add a class. And they filled, which is unusual for summer. I don't mind because this is all a change of pace. I thrive and draw both ideas and energy from shifting up my scheduling. 

Enter a new issue: time for my own projects is limited, especially when I get through the hectic scheduling of season by promising myself time to work on my writing projects. I also took on a huge (as in equivalent to a large advance) client project. So, for a few weeks I was edging toward burn-out and wondering why I had agreed to any of it.

 Now that I've had a little time to re-balance, re-organize (mostly my office), and re-charge I'm ready to move forward again. As long as I keep my "life wheel" balanced between the teaching and the writing, between my projects and client projects, and between work with or for younger readers and adults, I seem to have the energy I need to make and meet my goals. 

Think about what demands are placed on your time. Is it balanced? If not, what do you need to do to put all those demands in equal portions? You will find yourself with a little more time for your writing and a lot more energy. Happy writing!

Writing Discpline

Discipline is a big part of working as a professional writer. It's important to focus on the task at hand, but I may take a short break to play with new ideas if I hit a lag and need to get the creative juices flowing. After my deadline is met, however, I will have plenty of ideas waiting. How do I decide which to pursue next? I consider two things: exhilaration and marketing. With which of these ideas am I most intrigued? Which will maintain my interest during all the stages of writing–including repeatedly revising and polishing? Once I've selected the three most promising, I'll consider markets. This is especially important for nonfiction. If it won't sell, why spend the time  working on it? Of course, trends change and an idea that may not interest an editor today may interest him in 2-3 months or 2-3 years.

Corralling Ideas

When I was a 100 percent “newbie” writer, I actually worried that I’d only have one idea to write about. I was actually reluctant to send out my first MS for fear that I wouldn’t know what to work on next. This very thought is ludicrous to me now; once I became aware of all the potential ideas surrounding me, I quickly filled up an 18-inch index card file box! 

The same will happen for you. If you’ve followed suggestions in previous posts, ideas should soon arrive fast and furious. When they threaten to trample you, corral ‘em up in a file or notebook. I often think of ideas while I'm working on deadline projects. Something about the pressure to complete one task temps me with others. Rather than allow new ideas to entice me away from the current project, I'll jot them down to pursue later.  If I'm on the computer, I switch to a new document and make bullet points or brief summaries along with notes on potential markets and research possibilities (if it's nonfiction). If I'm not at the computer I'll use my journal to record ideas (and often go into more detail) or jot the ideas on scrap paper or an index card to develop later.