Too Busy Writing: Seeking Balance

Sorry, I haven't posted sooner. I know it's been a while. Too long in fact. But, I been so busy writing. Well, teaching and freelancing anyway. Those who know me know that I balance my time between teaching and writing, and between work with younger readers and adult learners. The adult learners are participants in writing workshops I offer locally (though I am taking a few of these workshops online soon).

Though summers are usually my time to write more and teach less since the seasonal folks have headed north to cooler summer temps, this year is unusual. Not only was I asked to teach at the local college for both summer semesters, but two of the venues I offer workshops for asked me to add a class. And they filled, which is unusual for summer. I don't mind because this is all a change of pace. I thrive and draw both ideas and energy from shifting up my scheduling. 

Enter a new issue: time for my own projects is limited, especially when I get through the hectic scheduling of season by promising myself time to work on my writing projects. I also took on a huge (as in equivalent to a large advance) client project. So, for a few weeks I was edging toward burn-out and wondering why I had agreed to any of it.

 Now that I've had a little time to re-balance, re-organize (mostly my office), and re-charge I'm ready to move forward again. As long as I keep my "life wheel" balanced between the teaching and the writing, between my projects and client projects, and between work with or for younger readers and adults, I seem to have the energy I need to make and meet my goals. 

Think about what demands are placed on your time. Is it balanced? If not, what do you need to do to put all those demands in equal portions? You will find yourself with a little more time for your writing and a lot more energy. Happy writing!

Make Your Clay

Earlier this week I finally had a chance to catch up with a dear friend. We went for a walk on the beach and talked about writing. Since she has taken my writing classes in the past (that’s actually how I met her), she reminded me about something I tell my students at all levels: "make your clay and then worry about details later."

What do I mean by this? A writer’s draft is the medium of our craft which we shape and refine during revision. The real work of writing comes during revision. As writers we need to make our clay, meaning getting the words out of our heads and onto paper where we can then work and rework those words into a finished manuscript. If we were painters, we would have brushes, paints, palette, and paper or canvas to use to create our work. If we were potters, we would begin with a lump of clay and mold, shape, and work in details.

Writers, too, need something to work with--something to shape, trim away excess, add in detail, refine and illuminate. So I encourage all my writers to finish (or nearly finish) a draft before they focus on revising. Why? It’s easier to trim away the excess and add in details, develop a character, refine a plot line, and so on, if you have your basic three-part structure in place. It’s not set in stone. Word processing programs make it (thankfully) easy to move, cut, and add (and return to a previous version if necessary). But, once the words are in black type on white paper or screen, it gives the writer something to see and work with, much like the clay used by potters and sculptors.

Having something concrete to shape takes away the tension of revision for newer writers. Viewing the draft as something that includes debris or flaws to pick out takes the pressure off of creating a "perfect" first draft. The key word is "first," since many writers create multiple "drafts" before a polished piece is sent to an editor. Incidentally, the editor then refers to that much-revision MS as the “first draft,” since it is his or her first go-round in editing it.