Southern Florida is getting ready for TS Issac. Since I've just emerged from an intense summer that has left me working hard to carve out writing time, the last thing I wanted to deal with was battening down and preparing for severe winds and rain at the least and a full-blown gale at worst.
I haven't posted much since spring because I promised myself I'd devote this blog to writing. But, I did learn some things out of this experience that I do feel are writing-related. It helped me put a positive spin on my personal life, so I can continue generating energy toward my writing. (I'm making baby steps, but at least I'm making regular progress!)
First, as I battled all the items in my storage closet, trying to make room for some of the lanai furniture, I realized the struggles I've been plowing through are much like the trials and conflict characters face in a good story. Who wants to read about a character who gets everything she wants? I do believe that the struggles make reaching a goal more satisfying.
Second, since I couldn't fit everything from the lanai in storage, I had to move the larger furniture and plants inside. That meant indoor furniture to make room for the outdoor furniture. Now I had to clean, too, and wipe down all the outdoor furniture before bringing it in. So, in the end, things are cleaner just because I gave attention to areas I've been too busy to attend to. (And, the empty lanai was swept and cleaned and will need the same again once the storm blows through.) Also, since I was cleaning and rearranging, I continued that energy into my office to see what I can move around for more space and efficiency.
Finally, during the numerous trips to the store to buy supplies, fight with the crowds of panicking people, and acknowledge the sense of urgency everyone seemed to be feeling, I decided to tack on a few "errands" that would give me a feeling of doing something for my writing. I mailed copies of my book, Food for a Greener Planet: What You Can Do, to a reading association award program, submitted the opening of one of my novels to a literary contest, and ordered promo materials for my latest book, Dealing with Stress.
I'm determined that all these "life issues" will not get in the way of my goals. The baby steps are paying off. The winds of change are blowing, and not just from this tropical storm/possible hurricane. I feel this storm is (and will continue) helping me "clean out" and make changes.
To all affected by Issac, may you stay safe and weather the storm!
Sunday, August 26, 2012
Saturday, July 7, 2012
Too Busy Writing: Seeking Balance
Sorry, I haven't posted sooner. I know it's been a while. Too long in fact. But, I been so busy writing. Well, teaching and freelancing anyway. Those who know me know that I balance my time between teaching and writing, and between work with younger readers and adult learners. The adult learners are participants in writing workshops I offer locally (though I am taking a few of these workshops online soon).
Though summers are usually my time to write more and teach less since the seasonal folks have headed north to cooler summer temps, this year is unusual. Not only was I asked to teach at the local college for both summer semesters, but two of the venues I offer workshops for asked me to add a class. And they filled, which is unusual for summer. I don't mind because this is all a change of pace. I thrive and draw both ideas and energy from shifting up my scheduling.
Enter a new issue: time for my own projects is limited, especially when I get through the hectic scheduling of season by promising myself time to work on my writing projects. I also took on a huge (as in equivalent to a large advance) client project. So, for a few weeks I was edging toward burn-out and wondering why I had agreed to any of it.
Now that I've had a little time to re-balance, re-organize (mostly my office), and re-charge I'm ready to move forward again. As long as I keep my "life wheel" balanced between the teaching and the writing, between my projects and client projects, and between work with or for younger readers and adults, I seem to have the energy I need to make and meet my goals.
Monday, March 26, 2012
Writing Discpline
Discipline is a big part of working as a professional writer. It's important to focus on the task at hand, but I may take a short break to play with new ideas if I hit a lag and need to get the creative juices flowing. After my deadline is met, however, I will have plenty of ideas waiting. How do I decide which to pursue next? I consider two things: exhilaration and marketing. With which of these ideas am I most intrigued? Which will maintain my interest during all the stages of writing–including repeatedly revising and polishing? Once I've selected the three most promising, I'll consider markets. This is especially important for nonfiction. If it won't sell, why spend the time working on it? Of course, trends change and an idea that may not interest an editor today may interest him in 2-3 months or 2-3 years.
Thursday, March 15, 2012
Corralling Ideas
When I was a 100 percent “newbie” writer, I actually worried that I’d only have one idea to write about. I was actually reluctant to send out my first MS for fear that I wouldn’t know what to work on next. This very thought is ludicrous to me now; once I became aware of all the potential ideas surrounding me, I quickly filled up an 18-inch index card file box!
The same will happen for you. If you’ve followed suggestions in previous posts, ideas should soon arrive fast and furious. When they threaten to trample you, corral ‘em up in a file or notebook. I often think of ideas while I'm working on deadline projects. Something about the pressure to complete one task temps me with others. Rather than allow new ideas to entice me away from the current project, I'll jot them down to pursue later. If I'm on the computer, I switch to a new document and make bullet points or brief summaries along with notes on potential markets and research possibilities (if it's nonfiction). If I'm not at the computer I'll use my journal to record ideas (and often go into more detail) or jot the ideas on scrap paper or an index card to develop later.
The same will happen for you. If you’ve followed suggestions in previous posts, ideas should soon arrive fast and furious. When they threaten to trample you, corral ‘em up in a file or notebook. I often think of ideas while I'm working on deadline projects. Something about the pressure to complete one task temps me with others. Rather than allow new ideas to entice me away from the current project, I'll jot them down to pursue later. If I'm on the computer, I switch to a new document and make bullet points or brief summaries along with notes on potential markets and research possibilities (if it's nonfiction). If I'm not at the computer I'll use my journal to record ideas (and often go into more detail) or jot the ideas on scrap paper or an index card to develop later.
Saturday, March 10, 2012
Make Your Clay
Earlier this week I finally had a chance to catch up with a dear friend. We went for a walk on the beach and talked about writing. Since she has taken my writing classes in the past (that’s actually how I met her), she reminded me about something I tell my students at all levels: "make your clay and then worry about details later."
What do I mean by this? A writer’s draft is the medium of our craft which we shape and refine during revision. The real work of writing comes during revision. As writers we need to make our clay, meaning getting the words out of our heads and onto paper where we can then work and rework those words into a finished manuscript. If we were painters, we would have brushes, paints, palette, and paper or canvas to use to create our work. If we were potters, we would begin with a lump of clay and mold, shape, and work in details.
Writers, too, need something to work with--something to shape, trim away excess, add in detail, refine and illuminate. So I encourage all my writers to finish (or nearly finish) a draft before they focus on revising. Why? It’s easier to trim away the excess and add in details, develop a character, refine a plot line, and so on, if you have your basic three-part structure in place. It’s not set in stone. Word processing programs make it (thankfully) easy to move, cut, and add (and return to a previous version if necessary). But, once the words are in black type on white paper or screen, it gives the writer something to see and work with, much like the clay used by potters and sculptors.
Having something concrete to shape takes away the tension of revision for newer writers. Viewing the draft as something that includes debris or flaws to pick out takes the pressure off of creating a "perfect" first draft. The key word is "first," since many writers create multiple "drafts" before a polished piece is sent to an editor. Incidentally, the editor then refers to that much-revision MS as the “first draft,” since it is his or her first go-round in editing it.
What do I mean by this? A writer’s draft is the medium of our craft which we shape and refine during revision. The real work of writing comes during revision. As writers we need to make our clay, meaning getting the words out of our heads and onto paper where we can then work and rework those words into a finished manuscript. If we were painters, we would have brushes, paints, palette, and paper or canvas to use to create our work. If we were potters, we would begin with a lump of clay and mold, shape, and work in details.
Writers, too, need something to work with--something to shape, trim away excess, add in detail, refine and illuminate. So I encourage all my writers to finish (or nearly finish) a draft before they focus on revising. Why? It’s easier to trim away the excess and add in details, develop a character, refine a plot line, and so on, if you have your basic three-part structure in place. It’s not set in stone. Word processing programs make it (thankfully) easy to move, cut, and add (and return to a previous version if necessary). But, once the words are in black type on white paper or screen, it gives the writer something to see and work with, much like the clay used by potters and sculptors.
Having something concrete to shape takes away the tension of revision for newer writers. Viewing the draft as something that includes debris or flaws to pick out takes the pressure off of creating a "perfect" first draft. The key word is "first," since many writers create multiple "drafts" before a polished piece is sent to an editor. Incidentally, the editor then refers to that much-revision MS as the “first draft,” since it is his or her first go-round in editing it.
Wednesday, March 7, 2012
Blending Details
These two exercises require you to use details from your journal and spring-board to a new idea. You'll blend the real and the imaginary to create a story.
Exercise 1:
Find a favorite magazine. Select an ad that inspires you. Find another ad or photo of a person.
Write about that person in the setting or situation from the first ad. What happens? Is there a problem? How is it resolved?
Exercise 2:
1) Select three ads or photos from magazines that show both people and inspiring settings.
2) Write down a focus point or question. For example, a decision you need to make, a problem you need to solve, a subject you're interested in learning more about, or a recent complaint.
3) Select one of the magazine photos and write about your focus point from the viewpoint of the person in the photograph. Use appropriate language/vocabulary if this person is a child or teen.
Exercise 1:
Find a favorite magazine. Select an ad that inspires you. Find another ad or photo of a person.
Write about that person in the setting or situation from the first ad. What happens? Is there a problem? How is it resolved?
Exercise 2:
1) Select three ads or photos from magazines that show both people and inspiring settings.
2) Write down a focus point or question. For example, a decision you need to make, a problem you need to solve, a subject you're interested in learning more about, or a recent complaint.
3) Select one of the magazine photos and write about your focus point from the viewpoint of the person in the photograph. Use appropriate language/vocabulary if this person is a child or teen.
Monday, February 20, 2012
Wanted: The ‘Perfect' Journal
Any notebook will do for your writer's journal. You can use a spiral notebook or composition book from the school supplies section a t your favorite store or visit the bookstore for a selection of blank books. The variety is impressive, from lined or unlined sheets to various sizes (and shapes). The important thing is that you feel comfortable with the book so you'll enjoy writing in it often.
You might even prefer to use your computer to journal. Many of my writing friends insist this is the best method because of the "search and find" features on most word processing programs. I prefer a portable, handwritten journal. If this is your choice, too, choose a writing instrument with as much care as the journal itself. Do you want to hear the scratching of a pencil or marker on the page or feel the glide of a gel-ink or fountain pen? I like the feel of smooth, thicker paper and the fast, flowing ink of a Roller Ball. But, I also prefer different colors to help me designate different days at a glance. The choice is yours.
Whichever method you choose, be sure to keep the first few pages blank. Record favorite writing exercises or prompts on those opening pages. You'll be able to quickly find writing prompts whenever you want to write during unexpected spare time. Each time you complete an exercise, you'll gain something more from it. Draw from these completed exercises, just as you'll glean from experiences in each journal entry in developing writing ideas.
Subscribe to:
Posts (Atom)